Paper, Pen, Brush, and Paint

The paper.
The stroke was perfect. For a second. Then the ground behaves like blotting paper. It was more open than I thought. The line is no longer clean.
The pen.
I want to make round letters from round arm movements. I breathe in and start. The pen resists my momentum. It stops on the paper far too early, and I cannot finish my letter.
The brush.
A hair has come loose from the brush. Now it lies in the middle of the painted area. If I try to remove it with my finger, I destroy the calm of the even application of paint, which will soon be completely dry.
The paper.
I was immersed in drawing. For an angled brushstroke, I rested my elbow on the work surface. And there it happened: The paper got an incurable crease at the edge.
The paint again.
Fully engaged, I continued drawing. Meanwhile, I didn’t notice that my hand was brushing over the lines I had just drawn. The paint landed where it didn’t belong.
Pen, brush, paper, paint… so innocent.